［ On－site audio from Beijing International Fashion Week］

This is the 2024 China International Fashion Week，and what is coming towards us now is the Lu Xiu lace series， which combines Dawenkou lace intangible cultural heritage techniques with real silk fabrics．

［ Tang Binjie，the Fourth Generation Inheritor of Dawenkou Lace Craftsmanship， a Municipal Intangible Cultural Heritage Project］

“Our Dawenkou lace was recommended by the Shandong Fashion Design Association to participate in China International Fashion Week．This pattern mainly uses lotus leaves and gourds，representing coolness and the meaning of fortune． Through this platform，Dawenkou lace has stepped onto the international stage，and showcased the charm of China＇s intangible cultural heritage．

When running this line you need to press the marks and run the corners well．

What we need to do now is to participate in the Shandong Province Lu Jin Lu Xiu Exhibition Season，We have used lace techniques to create a 20 meter long floor length skirtwith red representing warmth and celebration．

Dawenkou lace originates from Lu embroidery and has a history of over 2000 years．At first，it was called Ding Dai，which was introduced from Yantai to our inland areas In the 1980s and 1990s， it reached its peak period At that time there were at least hundreds of thousands of people in Shandong Province working on this product．

The rich patterns and textures in Dawenkou culture have brought me a lot of inspiration for design，Including the leopard print，mesh pattern，and loop pattern on these colored pottery，and then incorporating them into our products．

The Dawenkou culture has a 5000－year history of Chinese civilization，and it is also one of the origins of our Chinese civilization．The spinning wheel unearthed from the Dawenkou tomb pit represents that the textile industry．

and cotton yarn spinning in Dawenkou were already very advanced at that time． In addition，the Fuxi Bagua comb unearthed from Pit 10 was used to comb the yarn on this weaving machine，so the weaving technology at that time was already very good．

We just need to ensure its curvature after sewing．

Around the year 2000 I followed my father to learn a lot about the design and distribution of embroidery workers in the Tai＇an area，Slowly gather us female workers who were born in the 1970s and 1980s back together and start doing this thing，the number of people has gradually increased from 100 to 700 this year．

Although machines are fast and efficient，they may not necessarily bring happiness to people，which is also my obsession， It＇s just to keep everyone busy，and not to lose this skill．

At present，there are mainly two series of lace umbrellas and lace fans which are sold globally through the Internet． At present，it has been sold to nearly dozens of countries，including Italy Germany the United States Singapore and others．

The upper strap presses down on the lower strap．

Now my daughter has also started making lace and embroidery，She has loved it since she was young and may have been influenced by our family．

［Tang Jinxiao，the Fifth Generation Inheritor of Dawenkou Lace Craftsmanship，a Municipal Intangible Cultural Heritage Project］

I have personally applied for a new intangible cultural heritage related to embroidery．

［ Tang Binjie，the Fourth Generation Inheritor of Dawenkou Lace Craftsmanship， a Municipal Intangible Cultural Heritage Project］

This is the meaning of inheritance something that you may not be aware of may flow in your blood allowing you to enter this industry and this direction．As long as you have a force and a firm belief you will be able to accomplish something．

（Source： Publicity Department of Tai＇an Municipal Committee）